Terza Rima Generator

Terza rima is a poetic form that originated in Italy and is characterized by its intricate rhyme scheme and rhythmic structure. Traditionally associated with Dante Alighieri's "Divine Comedy", terza rima consists of stanzas composed of three lines, or tercets, with an interlocking rhyme scheme. The rhyme pattern typically follows the scheme ABA, BCB, CDC, and so on, where the middle line of each tercet rhymes with the first and third lines of the following one. This interlocking pattern creates a sense of continuity and progression throughout the poem. The structure of terza rima lends itself well to narrative poetry and epics, as seen in Dante's "Divine Comedy", where it provides a cohesive framework for the journey through Hell, Purgatory, and Paradise. Beyond its use in epic poetry, terza rima has been adapted and employed by poets in various languages and cultures, offering a versatile form for expressing a wide range of themes and emotions. Its musicality and intricate rhyme scheme make it a captivating form for poets seeking to weave together complex narratives or explore profound philosophical ideas.

a terza rima generator, also known as terza rima maker or terza rima writer, generates terza rimas for you using artificial intelligence. Follow these 4 steps to generate a terza rima:

1. Select the type of poem: In this case, select "Terza Rima" from the drop-down list.
2. Describe your poem: You should include the theme or subject of the terza rima and any relevant information you want to be included, such as the characters' backgrounds or the setting of the poem.
3. Generate the poem: Click the big "Generate poem" button and watch as the AI terza rima generator does its magic. When it's finished, you can share the poem with the world, or if you're not happy, regenerate another terza rima about the same topic.

Here are the steps to write a terza rima:

1. Understand the structure: Familiarize yourself with the terza rima form, which consists of tercets (three-line stanzas) with an interlocking rhyme scheme. Each tercet follows the pattern ABA, where the second line of each tercet rhymes with the first and third lines of the following tercet.
2. Choose a theme or topic: Decide on the subject or theme you want to explore in your poem. It can be anything that inspires you or captures your interest, such as nature, love, personal experiences, or philosophical ideas.
3. Start with the first tercet: Begin by writing a tercet that establishes the tone or introduces the central idea of your poem. The first line (A) can serve as a statement, an observation, or a question. The second line (B) should rhyme with the first line, and the third line (A) should rhyme with the first and third lines of the next tercet.
4. Continue the interlocking rhyme scheme: Follow the ABA rhyme scheme throughout the poem. The second line of each tercet should rhyme with the first and third lines of the following tercet, creating a seamless and interconnected flow.
5. Maintain coherence and progression: As you write subsequent tercets, ensure that there is a logical and cohesive progression of ideas or images. Each tercet should build upon the previous one, leading the reader through the poem with a sense of continuity.
6. Conclude with a couplet or envoi (optional): Terza rima poems often end with a concluding couplet or envoi. This final two-line stanza can provide closure, summarize the main message, or offer a thought-provoking twist. The rhyme scheme of the couplet is typically AA.
7. Revise and refine: Once you have completed the initial draft of your terza rima poem, review it for clarity, rhythm, and effectiveness. Consider revising lines, adjusting word choices, or reorganizing stanzas to enhance the overall impact of your poem.

contend in a sea which the land partly encloses shielding them from the too—heavy blows of an ungoverned ocean which when it chooses tortures the biggest hulls, the best man knows to pit against its beatings, and sinks them pitilessly. Mothlike in mists, scintillant in the minute brilliance of cloudless days, with broad bellying sails they glide to the wind tossing green water from their sharp prows while over them the crew crawls ant-like, solicitously grooming them, releasing, making fast as they turn, lean far over and having caught the wind again, side by side, head for the mark. In a well guarded arena of open water surrounded by lesser and greater craft which, sycophant, lumbering and flittering follow them, they appear youthful, rare as the light of a happy eye, live with the grace of all that in the mind is feckless, free and naturally to be desired. Now the sea which holds them is moody, lapping their glossy sides, as if feeling for some slightest flaw but fails completely. Today no race. Then the wind comes again. The yachts move, jockeying for a start, the signal is set and they are off. Now the waves strike at them but they are too well made, they slip through, though they take in canvas. Arms with hands grasping seek to clutch at the prows. Bodies thrown recklessly in the way are cut aside. It is a sea of faces about them in agony, in despair until the horror of the race dawns staggering the mind; the whole sea become an entanglement of watery bodies lost to the world bearing what they cannot hold. Broken, beaten, desolate, reaching from the dead to be taken up they cry out, failing, failing! their cries rising in waves still as the skillful yachts pass over.

By William Carlos Williams